Free punk
um caleidoscópio chamado Ondina Pires
DOI:
https://doi.org/10.22228/rtf.v17i1.1373Palavras-chave:
Música Alternativa, Ondina Pires, Desigualdade de Gênero nas ArtesResumo
Este artigo explora a invisibilidade feminina no campo artístico-musical, usando a trajetória de Ondina Pires como estudo de caso. Pires, conhecida por seu trabalho em projetos no contexto underground português, ilustra a contínua marginalização apesar das estratégias de resistência. A análise se baseia na narrativa de vida e métodos qualitativos para entender as desigualdades de gênero, exclusão e práticas de contestação. No cerne do artigo, questionam-se os fatores que perpetuam a invisibilidade feminina nas artes, destacando a necessidade de reavaliar a emancipação feminina na cultura contemporânea.Referências
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